Wednesday, June 27, 2012

The Prodigal Son - Yuen Biao (1981) - Tai Tung Wo Liu, Sai Kung

The second of the two identifiable locations used in this classic Sammo Hung film is used in the finale when Yuen Biao fights (and inflicts a rather sickening injury) on Frankie Chan.


As you can see, there are glimpses in the back ground of a very striking mountain range which are actually the northern Sai Kung side of Ma On Shan. The finale was filmed on what seems to be a very flat piece of ground and actually this area of the NT is quite flat. Here is a modern view courtesy of streetview of the same ridgeline. Bear in mind that on film the camera lens sometimes stretches or squashes the picture along certain planes in order to fit the TV screen/monitor.


There is a small village called Tai Tung Wo Liu here and the finale would have been filmed on land very close to the village given the angle of the mountains and other features that can be seen on the film.

The Prodigal Son - Yuen Biao (1981) - Yim Tin Tsai, Sai Kung

One of only two identifiable locations in this classic Sammo Hung film featuring Yuen Biao as the young Wing Chun exponent Leung Tsan.

I think Sammo (he directed and wrote as well as starred in the film) was trying to create some sort of homage to another film I discussed a few weeks ago because this scene is almost a direct copy of the one from River of Fury - filmed at the exact same location, featuring an opera troop aboard a boat that is docking at the pier. Here are the grabs.


Yes, this is Yim Tin Tsai in Port Shelter, Sai Kung, where about 8 years before Danny Lee ran along the exact same concrete pier to greet a junk traveling opera troop. The same house at the beginning of the pier and of course the previous version of the pier that now exists. You can read my River of Fury entry here.

Monday, June 25, 2012

The Legend of the Seven Golden Vampires - Peter Cushing (1974) - Fei Ngo Shan, Sai Kung

In this classic collaboration (one of two) between the UK's Hammer Studios and Shaw Bros in HK, the film makers took advantage of the unspoilt mountainous area around Fei Ngo Shan (Kowloon Peak) to film the hilly scenes as the protagonists make their way to David Chiang's lost village.

Several scenes were shot but all incorporated approximately the same area. First there is this view of everyone stumbling up the hillside.The distant peaks poking up at the back are in fact eitehr end of the saddle ridge of Ma On Shan.


Judging from the angle I am guessing the camera was fairly close to the Fei Ngo Shan Road as it goes over the hill and down the other side towards Tate's Pass. Not an exact placement but this dip is close enough to the road so that the film crew had an easy job of it.


The second part featured above was reasonably close by with a view down into Port Shelter, or at least what seems to be the Hebe Haven part of it. I think this one was shot slightly further east.